Alamat: 26 Av. de l'Europe, 93350 Le Bourget, Francia
The exhibition Walter De Maria: The Singular Experience offers a compact yet incisive reconsideration of an artist who redefined the relationship between measurement, form and perception. The presentation highlights the radical nature of his research, grounded in numerical sequences, rigorous geometries and an understanding of space as a physical encounter before it is a visual one. Sculptures and serial works converse with films and drawings that reveal a practice far less easily categorised than its usual association with Land Art suggests - De Maria emerges as an artist capable of merging mathematical precision, metaphysical tension and a subtle irony that destabilises any sense of certainty. At the core is the idea of a “singular experience”, conceived as a direct form of engagement in which viewers are invited to confront works that resist passive observation and instead demand an active presence. The exhibition conveys the complexity of an artist who treated form as discipline and perception as a field of freedom, allowing an energy to surface that still challenges the ways we look at, measure and inhabit space.
Tosca in Paris: Passion and Power in Puccini’s Opera
The revival of Puccini’s Tosca at the Opéra national de Paris delves into love, politics and sacrifice in an 1800s Rome torn by monarchy and republican aspirations. The opera stages the fatal triangle between singer Floria Tosca, painter Mario Cavaradossi and Baron Scarpia.
At the Musée Carnavalet an exhibition traces the life and work of Madame de Sévigné through letters, portraits and objects, revealing seventeenth-century Paris through the eyes of one of its sharpest observers.
The Language of Love According to Mickalene Thomas
At the Grand Palais in Paris, Mickalene Thomas presents a far-reaching reflection on love as both a political and emotional force in the representation of Black women. The exhibition spans twenty years of research across painting, collage, photography and installations.
At the Orangerie in Paris, an exhibition rediscovers Henri Rousseau as a conscious protagonist of modernity. Between naiveté and ambition, the dream of the "customs officer" becomes the boldest statement of modern painting.