住所: St. Martin's Pl, Charing Cross, London WC2H 0HE
Discovering them, in a closet in a house in Banagher, in Ireland, grooved with lines, having been folded for a long time, was M. A. Nicholls, second wife of the widow of Charlotte Brontë. The news was greeted with amazement as it was thought that the portraits of the Brontë sisters had been lost forever. It was March 6, 1914 and the front page of the popular magazine Daily Graphic announced the important news, “The Romantic Discovery of the Lost Brontë Portraits". Along with the article, the illustration of some visitors inspecting the two damaged portraits of the Brontë sisters, hung for the first time at the National Portrait Gallery. The rediscovery of these works, considered long lost, made a great story and the public was wild about it. Both works were painted by Branwell Brontë, brother of Charlotte, Emily and Anne. That of Emily is the only surviving image of a larger group portrait which included the other sisters and Branwell, depicted brandishing a pistol. It was also rather unusual that the museum would buy such damaged portraits and there were many heated arguments over their quality. The first day of their exhibition at the National Portrait Gallery, there were so many visitors that, according to the Yorkshire Observer, the museum “suffered a minor siege”. These two paintings are still among the most popular anywhere in all of London.
In London, at the unusual setting of the Royal Albert Hall, over 40 of Japan's finest maku-uchi rikishi (wrestlers) will compete, bringing with them the legacy of 1.500 years of Sumo.
An exhibition to tell the story of Pictorialism: the first international movement of artistic photography, which developed throughout the world from 1880 to 1960.