We’ve seen It in the modern painting of Tamara de Lempicka or in the cinema of Luchino Visconti. But very few know the real story of The Kiss, the iconic work that Francesco Hayez painted in Milan during the Risorgimento. Meanwhile, we forgot its full name - The Kiss. An Episode of Youth. Customs of the XIV Century. But can we really be sure they loved each other so in the Middle Ages? Fascinated by those obscure centuries like all the Romantics, Hayez set his painting in a distant epoch to take it out of the context he lived in. The passionate encounter between lovers, in fact, seems a prelude to a painful departure. Where will the youth with the plumed cap head off to? Revealing this is the dagger hidden in his cloak - along with the patriotic ideas shared by Hayez and his patron - Count Alfonso Maria Visconti of Saliceto - the weapon indicates the armed struggle of that age. Furthermore, according to some, the embrace between the two young people represents a metaphor for the Unity of Italy. But be careful - a hidden figure observes the scene from beyond the shadows outside the door. Is it a spy, an impatient comrade or a mere servant? In seeking to discover this, we can enjoy one of the great paintings of all time, which, at the dawn of the Modern Age, brought the magnificent colours of Tiziano to a whole new context.
The Restorations of the Gasparoli Family in the Lens of Marco Introini
The exhibition presents 30 shots by a leading architectural photographer that tell the story of some of Gasparoli’s interventions carried out in Milan on religious and public buildings, private homes and monuments.
Neshat creates highly lyrical narratives, as well as politically charged visions, that question issues of power, religion, race, and the relationships between past and present, East and West, individual and collective.
Face to Face with Tintoretto. Contemporaries Dialogue with the Venetian Master
Also this year, as in 2024 with Bellini's Compianto, four contemporary artists are invited to relate to a masterpiece of the past. In front of the large Tintoretto's canvas Jacopo Benassi, Luca Bertolo, Alberto Gianfreda, Maria Elisabetta Novello put themselves on the line.
Bvlgari hosts opening of Torlonia Collection at the Louvre
Last night, Bvlgari celebrated the launch of Masterpieces from the Torlonia Collection, a new exhibit at the Louvre. As a supporter of the Torlonia collection ...
.jpg/jcr%3Acontent)
