スケジュール: Mon / Wed / Fri / Sat / Sun 11 am - 9 pm | Thu 11 am - 11 pm
チケット: 15 €
ロケーション: Centre Pompidou
住所: Place Georges-Pompidou
Born in 1929 in the small village of Asnières-sur-Vègre in the Pays de la Loire Region, Bernard Réquichot was one of the most important protagonists of art in France of the 1950s. A short and tormented life - the artist committed suicide in 1961 at just 32 years old - in which Réquichot nevertheless stood out as one of the most prominent representatives of Informal Art. His artistic production was expressed in just over 6 years between 1955 and 1961. Réquichot, in the context of an artistic scene where gestural and material abstraction occupies a dominant place, pushes his painting beyond all limits. In his paintings the material is mixed with the knife. Inextricable networks, graphic traces invade the canvas. The young French artist works by stratifying his artworks, introduces collage into his painting, creates almost hypnotic sequences with spiral graphic motifs where black ink and white tempera give shape to illegible writings that recall his literary production. Misunderstood genius, avant-garde without a school, a lonely man tortured by his own ghosts, today Réquichot is celebrated in a large monographic exhibition at the Centre Pompidou.
The MAM opens its doors to Ari Marcopoulos, skateboarder, photographer and director of the New York underground. His work Brown Bag is presented in a site-specific installation. Marcopoulos also offers a rereading of some works from the museum's collections, through the prism of the countercultures so familiar to him.
Medea, betrayed by her husband Jason, takes revenge by offering her lover a poisoned dress and then killing her children. A Greek tragedy that Marc-Antoine Charpentier rendered to music and which today returns to the Paris National Opera, conducted by William Christie.
The interpretation of the human being through the prism of the body, of the anatomy and of the sport che puts in light almost 50 operates of the museum, from the antichità agli inizi of the XX secolo.