スケジュール: Mon / Wed / Fri / Sat / Sun 11 am - 9 pm | Thu 11 am - 11 pm
チケット: 15 €
ロケーション: Centre Pompidou
住所: Place Georges-Pompidou
Born in 1929 in the small village of Asnières-sur-Vègre in the Pays de la Loire Region, Bernard Réquichot was one of the most important protagonists of art in France of the 1950s. A short and tormented life - the artist committed suicide in 1961 at just 32 years old - in which Réquichot nevertheless stood out as one of the most prominent representatives of Informal Art. His artistic production was expressed in just over 6 years between 1955 and 1961. Réquichot, in the context of an artistic scene where gestural and material abstraction occupies a dominant place, pushes his painting beyond all limits. In his paintings the material is mixed with the knife. Inextricable networks, graphic traces invade the canvas. The young French artist works by stratifying his artworks, introduces collage into his painting, creates almost hypnotic sequences with spiral graphic motifs where black ink and white tempera give shape to illegible writings that recall his literary production. Misunderstood genius, avant-garde without a school, a lonely man tortured by his own ghosts, today Réquichot is celebrated in a large monographic exhibition at the Centre Pompidou.
250 new works presented during this second staging, the exhibition traces, through the museum's collections, a history of fashion from the 18th century to the present day and develops the transversal theme of the body in movement.
The interpretation of the human being through the prism of the body, of the anatomy and of the sport che puts in light almost 50 operates of the museum, from the antichità agli inizi of the XX secolo.
Louvre and MET: Near Eastern Antiquities in Dialogue
The Louvre and the MET have created a unique dialogue between their two collections, with works of art dating back to the late 4th millennium BC and to the 5th century AD which were brought together for the first time.
An exhibition to celebrate and rediscover the genius of Jan van Eyck after the precious restoration of one of his most important masterpieces: La Vierge du Chancelier Rolin.