<em>Theaster Gates</em>, <em>Doric Temple</em>, 2022 High fire stoneware with glaze, Dimensions variable, <em>Theaster Gates: Young Lords and Their Traces</em>, New Museum, New York, 2022-2023 | Photo: Chris Strong
スケジュール: Wed - Mon 10 am - 10 pm | Tue 10 am - 5 pm
チケット: Mer - Lun 10 - 22 | Mar 10 - 17
ロケーション: Mori Art Museum
住所: 53F Roppongi Hills Mori Tower, 6 Chome−10−1, Minato City Tokyo 106-6150 Tokyo
When in 1928 the Japanese philosopher Yanagi Sōetsu theorized the theoretical and aesthetic proposal of Mingei - what we now define as popular or folk Japanese art and craftsmanship - his aim was to demonstrate that beauty could be found in ordinary and utilitarian everyday objects made by unknown and unnamed artisans, as opposed to the higher art forms created by named artists. This theme greatly fascinated the American artist Theaster Gates who in this exhibition at the Mori Art Museum in Tokyo appropriated the Japanese concept to reinterpret it in a new "black" key in an original experiment of cross-cultural contamination between two worlds very distant from each other and with the aim of bringing out an art centered on black beauty and aesthetics. Theaster Gates masterfully translates the complexities of darkness through clay, objectivity, space and materiality. While black culture and history remain relatively little known to Japanese audiences, this exhibition aims to convey the contemporary importance of art that celebrates craftsmanship, issues of race, politics and cultural hybridity by offering a comprehensive overview of Gates' practice.
The collective performances within which Arakawa-Nash works emphasize and derive from the ever-present precariousness of works of art. A stroke becomes scenery, a canvas becomes an actor and color becomes a song. His disruptive performances transform the public's relationship with painting.
Horror manga artist Junji Ito depicts a beautiful but grotesque world. His work has fascinated readers around the world. at the Setagaya Literary Museum a large exhibition presents his drawings and artistic career to the public.
Three museums and their collections compared in an unprecedented exhibition. The exhibition consists of 34 trios of over 150 works, including paintings, sculptures, prints, drawings, photographs, projects and videos by 110 artists.
On the occasion of the three hundredth anniversary of his death, the Suntory Museum of Art celebrates Hanabusa Itchō, painter, calligrapher and haiku poet born in Osaka in 1652.