Artist Giovanni Frangi brings back into play a monumental project conceived twenty years ago, transforming it into an immersive meditation on the nocturnal landscape. Four continuous canvases - stretching roughly forty meters - unfurl like a single pictorial film; twenty sculptures in charred foam, lit at regular fifteen-minute intervals, modulate the perception of space and recreate the vertigo one feels near water, when light seems to breathe. The new display by Francesco Librizzi introduces the work as a vast stage set, designed to engage a brutalist architecture of crisp volumes, a central pillar, and a monumental staircase: not a neutral frame, but a counterpart that forces the work into close combat. Alongside Frangi, Giovanni Agosti provides the project’s critical reading, which also presents 135 sheets of notes, sketches, and detours: a worksite diary that dismantles the myth of instantaneous creation and offers multiple interpretive paths. Reactivating this visual machine today is not nostalgia, but a test of the image’s endurance: unrolling the canvases, letting them “breathe” again, and checking whether that passage between painting, sculpture, and time continues to open in the viewer’s gaze.
Bvlgari opens its new flagship store at Via Montenapoleone 2: a perfect fusion of Roman-inspired charm and Milan’s rich architectural heritage.
To coincide ...