When you say Milan, you say Design. From the first Italian thermoelectric plant to home furnishings, from autos to the fashion boom in the 1980s, the city is known for its manufacturing excellence. However, there is a date that marks the start of an acceleration of creativity in the city. It is 28 August 1954 when the tenth Triennial is inaugurated, the expo where art mixes with daily life and the need for functionality - it is here that modern design is born. The war had ended only a short while before and an Italian miracle is about to start. Milan is the nerve centre of a new trend which encourages industry to embrace a functional aesthetic. This brings about the birth of the legendary objects of the era - from the collaboration of Ettore Sottsass with Olivetti, of Gio Ponti with Cassina and Venini, of Munari and Mari with Danese… And in 1954, the Premio Compasso d’Oro ADI, the most important prize in the field of Design worldwide is created. It was Ponti who proposed shining a light on the quality of the Made in Italy label in a competition and, for any serious designer, the Compasso represented an obligatory step. And for this, the ADI Design Museum, being inaugurated this year in town, readies itself to become a pilgrimage destination for those wanting to explore the history of the best of Italian Design.
The opera directed by Ingo Metzmacher, based on the novel by Umberto Eco commissioned to the composer Francesco Filidei by La Scala together with the Paris Opera. A world premiere where Piermarini returns to the center of the international music scene after Giordano Bruno and L’Inondation.
2025 marks the centenary of the Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, the event that marked the affirmation of the “1925 Style” or Art Deco. To celebrate the anniversary, the exhibition presents extraordinary examples of Italian and European decorative arts.
Neshat creates highly lyrical narratives, as well as politically charged visions, that question issues of power, religion, race, and the relationships between past and present, East and West, individual and collective.