Eight hectares of monumental trees along with stunning flowers and plant-life surround an art collection that spans several centuries. Where else but Villa Carlotta, the historic abode overlooking Lake Como. It’s no surprise that Britain’s famed newspaper The Telegraph listed it as one of the reasons to travel to Italy after the pandemia - since the 1600s, the prestigious residence of Tremezzo has been a dream of beauty caressing the senses. Without the Clerici family of Milan it would not exist, but it was an official in service to Napoleon, Giovanni Battista Sommariva, who really embellished it with magnificent works of art. Its name comes from Princess Carlotta of Prussia who was given the villa as a wedding gift when she married the Grand Duke Georg II of Saxony. It is considered one of Italy’s most beautiful parks - a kingdom of camellias and azaleas, rhododendrons and roses, citrus fruit and centuries-old trees. Here, every stroll is a botanical journey around the world and a glimpse at the history of Europe’s gardens - there is an Italian section, a romantic section, a rock garden, a tropical garden, all to be discovered along with the cool valley of ferns, the olive grove or the vegetable garden, cultivated as early as the 1800s. Inside the villa, pastel walls, stucco mouldings and precious furnishings are the backdrop to treasures like The Last Kiss of Romeo and Juliet by Francesco Hayez, the Frieze of Alexander the Great by Bertel Thorvaldsen, as well as the Palamede and the Musa Tersicore by Antonio Canova.
Through a series of installation interventions, spanning works of art and exhibition elements, Haris Epaminonda presents a symbolic journey in comparison with the historical avant-gardes of Futurism.
Nicolas Party's wonderful creatures under the threat of extinction
In the last year Nicolas Party's imagery has evolved: he has painted large forest fires and dinosaurs. When Tomorrow Comes establishes a clear connection between the work and the idea of extinction. The end of humanity and many other species is the artist's theme of interest.
If the complexity of the approach to sculpture is indisputable, the factor that makes Pino Pascali's artistic practice so brilliant and original is another. Pascali is an artist who is always current because he was an "exhibitionist".
Picasso did not consider the art that inspired him, which moved his creative mind in an unstoppable desire to open new paths, as "primitive", he did not see a "before" and an "after" in art, there was no "other", "different" art: Picasso conceived it as a timeless Whole.