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位置: Puri Lukisan Museum
地址: Jl. Raya Ubud, Ubud, Kecamatan Ubud, Kabupaten Gianyar
From the 1930s to today, the artistic output of Bali is kept in the island’s oldest art museum, the Puri Lukisan Ratna Wartha Museum (the Balinese name literally means “the building of paintings"), officially opened in 1956 by the Indonesian Minister of Education and Cultural Affairs, Mohammad Yamin, in the quiet of nature on a hill in the centre of Ubud. Four buildings contain the local art, culture and history in the form of stunning paintings and wooden sculptures created in the most varied of artistic styles. The modern traditional pre-war Balinese paintings and the I Gusti Nyoman Lempad Collection belonging to the celebrated Balinese stone sculptor and architect are held in the Pitamaha Gallery in the first building, where paintings by the island’s European residents can also be found. The second and the third buildings, the Ida Bagus Made Gallery and the Wayang Gallery, host the Ida Bagus Made Estate Collection, that of the original and skilful wood-carver, and the collection of Wayang paintings, the Javanese “shadow theatre”. The temporary exhibitions and new acquisitions are held in the Founders’ Gallery in the last building created about a decade ago on the site of the historic museum. The library, restaurant and caffetteria (balè) are situated on an ample garden with a lotus pond, inviting visitors to linger in their discovery of traditions, practices and customs.
Pura Sada Kapal: the temple that changes for faith and for the ages
The vicissitudes linked to its destruction due to an earthquake and its reconstruction due to the faith of the inhabitants of the village in which it is located, make it a place with a fascinating and unique history and appearance.
The purity of the offering to the gods in the Rejang Dance
Only very young dancers, a symbol of purity and sacredness, can perform the Rejang Dance in the internal area of the temple as an offering to the Gods.
A collection fit for a king at the Buleleng museum
A particular museum, intended to preserve the cultural heritage of Northern Bali and whose collection, consisting of statues, sarcophagi, weapons and other relics, is mainly due to donations from the family of King Buleleng Ki Gusti Anglurah Panji Sakti.
It is one of the sacred dances of the of Bali Island, with a mystical meaning. The ceremony is intended to ask for salvation from a catastrophe or epidemic. The Sanghyang Dedari is different from other Balinese dances, because Sanghyang requires the dancer's body to be possessed.