At Beijing Commune, Wang Luyan presents a body of recent works that redefines the relationship between space, form, and perception. Hand-drawn on transparent acrylic panels, the images appear as simple two-dimensional surfaces but, through the viewer’s movement, reveal visual paradoxes that destabilize any fixed point of view. A central figure of the Chinese avant-garde in the 1980s, Wang soon embraced a radical intellectual solitude, developing a visual language built on doubt and contradiction. Moving away from conventional representation, he crafted a “paradoxical” iconography, often focused on mechanical objects that defy physical logic. In this new series, the paradox is no longer narrated but experienced: space itself becomes a conceptual medium. Wang transforms transparency into a field of tension between the two-dimensional and the three-dimensional, between illusion and construction - immersing the viewer in a reflection suspended between knowledge and absurdity.
.jpg/jcr%3Acontent)
