العنوان: 4/F, Building D7, Yard 3 Jinhang East Road
It is not the first time that Christopher Le Brun, one of the leading British painters celebrated internationally since the 1980s, has entered the contemporary art scene in China. He had already been there in 2019 with an exhibition organized by the Lisson Gallery in Shanghai and again in 2021 with two interventions, at the Red Brick Art Museum and at the MoCAUP. An artist who ranges from figurative to abstract, who fluently engages in various disciplines, painting, sculpture and printing, Le Brun is also a public figure who has held prestigious positions, for example he was president of the Royal Academy of Arts in London from 2011 to 2019. In his new solo exhibition in Beijing he presents Phases of the Moon, a multi-panel painting that reveals the cyclical nature of his practice with a lunar motif that dates back to one of his first oil paintings and Lontano, a triptych that shares the title with a piece by the composer Gyorgy Ligeti written in 1967, which embodies the artist's belief that painting should primarily have a sensual and emotional appeal.
Can Sculpture survive in an Era dominated by Manufacturing and Mass Production?
A challenging question that Nabuqi tries to answer in an experimental research exhibition that maps the various turning points in the career of an artist halfway through his journey.
Inflated and Deflated in Pop Culture and Sign Language
Playfully interacting with inflated and deflated forms, Christine Sun Kim and Thomas Mader investigate the multiple meanings of inhaling and exhaling air in pop culture.
The Masters of the Xin'an School of Painting on display at the National Museum of Art
In continuity with the exploration of the theme linked to art and ink in Chinese calligraphy, on the occasion of the 60th anniversary of the Chinese National Art Museum an exhibition is set up where it is possible to admire a selection of 100 masterpieces of the famous School of Xin'an.
Lawrence Weiner was one of the protagonists in the development of conceptual art in the United States in the twentieth century. In this anthological exhibition - Weiner's first in China in 15 years - UCCA presents works from the 1970s to 2010 and a wide selection of archival materials.