العنوان: 26 Av. de l'Europe, 93350 Le Bourget, Francia
The exhibition Walter De Maria: The Singular Experience offers a compact yet incisive reconsideration of an artist who redefined the relationship between measurement, form and perception. The presentation highlights the radical nature of his research, grounded in numerical sequences, rigorous geometries and an understanding of space as a physical encounter before it is a visual one. Sculptures and serial works converse with films and drawings that reveal a practice far less easily categorised than its usual association with Land Art suggests - De Maria emerges as an artist capable of merging mathematical precision, metaphysical tension and a subtle irony that destabilises any sense of certainty. At the core is the idea of a “singular experience”, conceived as a direct form of engagement in which viewers are invited to confront works that resist passive observation and instead demand an active presence. The exhibition conveys the complexity of an artist who treated form as discipline and perception as a field of freedom, allowing an energy to surface that still challenges the ways we look at, measure and inhabit space.
The Musée d’Art Moderne de Paris revisits the legacy of Maurice Girardin, the collector and gallerist whose bequest played a decisive role in the museum’s creation. Through artworks, archival documents and bibliographic materials, the exhibition portrays a cultural mediator deeply rooted in the Parisian avant-garde scene.
Arnaud Labelle-Rojoux and the Art of Diverting the Gaze
The MAC VAL exhibition, created in collaboration with the Centre Pompidou, offers a wide-ranging portrait of Arnaud Labelle-Rojoux’s practice across performance, collage and pop culture. The display reveals a visual language shaped by assemblage, cut-up and irony. It presents an artist who uses images to unsettle the gaze and its conventions.
The retrospective Off the Grid by Howardena Pindell at White Cube Bermondsey spans more than six decades of artistic practice, from painting and sculpture to works on paper, highlighting her subversion of the grid as a formal device and as a metaphor for segregation.
At the Orangerie in Paris, an exhibition rediscovers Henri Rousseau as a conscious protagonist of modernity. Between naiveté and ambition, the dream of the "customs officer" becomes the boldest statement of modern painting.