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Discovering them, in a closet in a house in Banagher, in Ireland, grooved with lines, having been folded for a long time, was M. A. Nicholls, second wife of the widow of Charlotte Brontë. The news was greeted with amazement as it was thought that the portraits of the Brontë sisters had been lost forever. It was March 6, 1914 and the front page of the popular magazine Daily Graphic announced the important news, “The Romantic Discovery of the Lost Brontë Portraits". Along with the article, the illustration of some visitors inspecting the two damaged portraits of the Brontë sisters, hung for the first time at the National Portrait Gallery. The rediscovery of these works, considered long lost, made a great story and the public was wild about it. Both works were painted by Branwell Brontë, brother of Charlotte, Emily and Anne. That of Emily is the only surviving image of a larger group portrait which included the other sisters and Branwell, depicted brandishing a pistol. It was also rather unusual that the museum would buy such damaged portraits and there were many heated arguments over their quality. The first day of their exhibition at the National Portrait Gallery, there were so many visitors that, according to the Yorkshire Observer, the museum “suffered a minor siege”. These two paintings are still among the most popular anywhere in all of London.
The 2026 TCS London Marathon will take place on Sunday 26 April, cementing its place as one of the world’s most prestigious marathon events. The route is flat and scenic, from Greenwich Park to the Mall at Buckingham Palace.
Kangaroo Tour legend returns to Wembley after 22 years
On October 25, London will host the first of three highly anticipated test matches between the Australian and English Rugby League teams as part of the ABK Ashes Series 2025. An event that goes beyond a simple sporting competition but is the rebirth of a historic rivalry that has its roots in the first half of the twentieth century.
Anselm Kiefer presents new paintings at White Cube Mason’s Yard exploring the relationship between history, memory and materiality. The exhibition investigates Van Gogh’s influence on his practice and frames a dialogue between myth and matter.
An exhibition celebrates Edwin Austin Abbey, a 19th-century American artist, showcasing his study for the monumental work The Hours created for the Pennsylvania State Capitol.