In the golden hush of Cadogan Gallery, Gabriele Cappelli’s painting seems to breathe. The exhibition celebrates twenty-five years of a practice that has made color both a sensory and mental experience - a language capable of speaking without depicting. The new works, created specifically for Milan, are both a return to origins and a leap forward: abstract variations that revisit the key themes of his career, distilling them into new harmonies. Cappelli, born in Forlì and embraced by London since 1997, forged his artistic identity amid the energy of the Young British Artists. But while many pursued provocation and irony, he chose the quiet, radical path of pure painting. In his work, color does not describe - it exists. It is an autonomous substance, calibrated through unexpected juxtapositions that create tension or balance, like chords in an abstract score. Material is equally central. Waxes and powders recalling the brilliance of gold blend with oil glazes, forming surfaces that catch and diffuse light as if they were secular icons. Each canvas emerges as a field of forces: form governs, color vibrates, and the viewer’s gaze settles into an intense, meditative calm. Cappelli retraces foundational moments of his career and reinterprets them with mature clarity. This exhibition does not simply look back - it advances - an inquiry into the possibilities of painting today and its power to generate interior spaces in a world saturated with images. In Milan, his luminous abstraction becomes an invitation to a rarefied, intimate, and necessary perceptual experience.
Milan honors the Divisionist Master with an exhibition that sets his iconic work alongside studies and paintings revealing his social and artistic vision.
Four 40 meters canvases and twenty charred-foam sculptures, lit every 15′: Frangi reactivates a nocturnal landscape, in dialogue with brutalist architecture and a 135-sheet diary.
From Ceramics to the Teatrini: the Art of Lucio Fontana
Works from the 1950s and 1960s offer a broad view of Lucio Fontana’s artistic journey, reaching well beyond his celebrated signature style of the Cuts (Tagli).
A major exhibition rediscovers Andrea Appiani, painter to Napoleon and Master of Neoclassicism, through portraits, frescoes, and drawings from Italian and international collections.