The Louvre is dedicating a major exhibition to the Carracci drawings, reconstructing the creative process that led to the creation of the famous Galleria Farnese in Rome, frescoed by Annibale Carracci with the collaboration of his brother Agostino and their circle of students. Through a selection of sketches, studies, and preparatory cartoons of exceptional quality, the exhibition offers the opportunity to observe the creation of one of the absolute masterpieces of Baroque painting. Installed in the Mezzanine Napoléon room, the exhibition leads the visitor into the artist's studio, revealing the evolution of the project from the first sketch to the final composition. The drawings trace the journey from the rapidity of the initial stroke to anatomical studies and posing tests, up to the full-scale cartoons that anticipate the frescoes on the vault and in the Camerino. The exhibition testifies to the complexity of a collective process, in which drawing becomes a tool for invention, technical coordination, and dialogue with the client. The exhibition portrays an ambitious and self-aware Annibale Carracci, capable of blending Renaissance teachings with a new narrative energy. At thirty-four, the painter led a monumental undertaking that would shape the evolution of European decoration for over two centuries. The relationship between idea and form, between project and fresco, demonstrates the strength of a conception of art as an intellectual and collective endeavor, which finds its first and purest expression in drawing.
The Louvre presents a major retrospective on Jacques-Louis David in the Hall Napoléon. More than one hundred works recount the painter of the Revolution and of Napoleon, who turned painting into a political language.
A major retrospective in Paris brings Philip Guston back into focus, the artist who left abstraction behind to confront the political and social traumas of the 1970s through irony and grotesque imagery. His satirical drawings and figurative paintings reveal the courage to turn painting into a tool of critique and resistance.
On December 16 and 17, 2025 Paris’s Accor Arena hosts Lamomali, a musical project created by Matthieu Chedid with Malian artists including Fatoumata Diawara and Balla Diabaté. Blending kora, pop and rock, the collective merges African tradition with contemporary sounds while paying tribute to Toumani Diabaté.
John Adams’s opera returns to Paris from February 24 to March 20, 2026. Under Valentina Carrasco’s direction, Nixon in China blends political history and minimalist music to depict the 1972 meeting between the United States and China.
