Yang Fudong's work represents a turning point in contemporary artistic production in China. His first film, An Estranged Paradise, which premiered at Documenta in Kassel in 2002, showcased a new narrative and visual sensibility, imbued with a contemporary aesthetic formed by multiple registers. His monumental cycle Seven Intellectuals in Bamboo Forest which was completed over the next five years, poetically rendered the spirit of her generation, the kids born in the mid-1980s. Subsequent projects have broadened her cinematic vision in both directions of space and time: his films are installations that contain traces of their own making. For his most comprehensive institutional exhibition to date and its premiere in Beijing, Yang Fudong presents the first installment of his Library Film Project, a research process that aims to create a film that can contain a complex reality, both real and constructed. Inspired by his childhood in the rural Eastern suburbs of Beijing, this chapter weaves together elements of the past and present, public and personal.
Lawrence Weiner was one of the protagonists in the development of conceptual art in the United States in the twentieth century. In this anthological exhibition - Weiner's first in China in 15 years - UCCA presents works from the 1970s to 2010 and a wide selection of archival materials.
Using a large-format camera and hand-developing his black-and-white prints, Sugimoto explores in depth the themes and practices of photography from the 19th century onwards.
Chinese women advance with intrepid steps towards their own choice of truthfulness and unswervingly fight not only their own battle for spiritual freedom, but also that of their gender and humanity as a whole. An exhibition celebrates their artistic journey.
The X Museum presents the inaugural exhibition X PINK 101 in its new location in Beijing. Focused on the color pink, the exhibition brings together 49 works from the collection, marking the first step in a renewed institutional program.