Yang Fudong's work represents a turning point in contemporary artistic production in China. His first film, An Estranged Paradise, which premiered at Documenta in Kassel in 2002, showcased a new narrative and visual sensibility, imbued with a contemporary aesthetic formed by multiple registers. His monumental cycle Seven Intellectuals in Bamboo Forest which was completed over the next five years, poetically rendered the spirit of her generation, the kids born in the mid-1980s. Subsequent projects have broadened her cinematic vision in both directions of space and time: his films are installations that contain traces of their own making. For his most comprehensive institutional exhibition to date and its premiere in Beijing, Yang Fudong presents the first installment of his Library Film Project, a research process that aims to create a film that can contain a complex reality, both real and constructed. Inspired by his childhood in the rural Eastern suburbs of Beijing, this chapter weaves together elements of the past and present, public and personal.
The X Museum presents the inaugural exhibition X PINK 101 in its new location in Beijing. Focused on the color pink, the exhibition brings together 49 works from the collection, marking the first step in a renewed institutional program.
Using a large-format camera and hand-developing his black-and-white prints, Sugimoto explores in depth the themes and practices of photography from the 19th century onwards.
The portrait sculptures of Miguel Ángel Payano Jr.
Miguel Ángel Payano Jr. has developed a unique artistic language around what he calls “heavy collages,” where sculptural elements and readymade objects populate and protrude from canvases that deftly portray individuals and landscapes.
A journey from William Morris to Charles Rennie Mackintosh to discover the wonderful decorations of fabrics and objects of the Arts and Crafts movement.