The Tokyo Fuji Art Museum presents an exhibition dedicated to Osamu Tezuka (1928 - 1989), a pivotal figure in the history of Japanese manga and animation. Through a selection of original works, sketches, and archival materials, the exhibition offers an in-depth look at Tezuka's career and artistic legacy. Known as the "God of Manga," Tezuka revolutionized Japanese comics by introducing innovative storytelling techniques and iconic characters such as Astro Boy, Black Jack, and Kimba the White Lion. The exhibition also explores his more philosophical works, like Phoenix and Buddha, highlighting the thematic depth and stylistic versatility of the artist. The exhibition is part of the celebrations marking the 70th anniversary of the publication of some of Tezuka's most influential works, providing visitors with the opportunity to rediscover the artist's contribution to Japanese and global popular culture.
Tokyo Station Gallery presents an exhibition on Tsuguharu Foujita, focusing on the interplay between painting and photography in shaping his public image. Through self-portraits, candid photographs, and his iconic cats, the show offers a new perspective on the artist as a conscious and multifaceted media figure.
In an operatic landscape where contemporary repertoire often struggles to find space, this production of Wozzeck presents itself as one of the most significant events of the Japanese opera season, destined to leave its mark for its artistic quality and dramatic impact.
Art Deco and Fashion: The Geometric Language of a Century
To commemorate the 100th anniversary of the 1925 Paris International Exhibition of Modern Decorative and Industrial Arts, Art Deco and Fashion showcases about sixty pieces by Poiret, Lanvin, and Chanel, alongside artworks and crafts, tracing the enduring impact of a groundbreaking aesthetic.
In Autumn 2025, Tokyo’s Mitsubishi Ichigokan Museum will present an exhibition devoted to the printmaking of Swiss-French artist Félix Vallotton. A rare opportunity to explore the narrative and critical power of his black-and-white woodcuts, oscillating between social satire and ambiguous intimacy.