排程: Tue / Wed / Thu / Fri / Sun 9.30 am - 5.30 pm | Sat 9.30 am - 8 pm | Mon closed
票務: 2200 Yen
位置: The National Museum of Western Art
地址: 7-7 Uenokoen, Taito, Tokyo 110-0007
For the Autumn of 2024, Tokyo will host a new major exhibition dedicated to the Master of French Impressionism Claude Monet and his water landscapes at The National Museum of Western Art. The Water Lilies cycle occupied Claude Monet for almost three decades, from the late 1890s until his death in 1926, at the age of 86. This cycle is inspired by the water garden that Monet created on the property of his house in Giverny in Normandy. It culminated in the last large panels donated by Monet to the State in 1922 and visible at the Musée de l'Orangerie since 1927. The word nymphéa derives from the Greek numphé, nymph, and takes its name from the ancient mythology which attributes the birth of the flower to a nymph who died of love for Hercules. This is actually the scientific term for a water lily. The famous water lily pond inspired Monet to create a titanic work consisting of almost 300 paintings, including more than forty large-format panels. Paintings where the theme of water, light and colors is the result of incessant research by the great French painter.
For Henri Matisse his atelier was a fundamental space to exercise his artistic practice. This exhibition explores the relationship between the artist and his creative space and the crucial role that Matisse's studio played in the imagination of the great French painter in the last phase of his life.
Men and animals. Relationships with others for TCAA award winners
Saeborg and Michiko Tsuda, winners of the fourth TCAA prize, in a double exhibition at the MOT in Tokyo. For both artists, the actions of spectators in the galleries become part of their work focused on different themes that have to do with "relationships with others".
This exhibition features more than 70 new works by seven groups of eight high-profile artists from Japan, Vietnam and Finland. The theme is that of photography which goes beyond the idea of "memory".
The Tokyo Museum of Contemporary Art exhibition Ho Tzu Nyen: A for Agents traces the trajectory of the Singapore-born artist's practice, presenting six film-based installations alongside new work.