<em>View from the South of the Pagoda of Monk Wansong or the Old Man of Wansong (Wansong Laoren Ta) at Xisi</em> | Photo: BabelStone (Own work) via ikimedia Creative Commons
A treasure to be sought ought painstakingly, just a short walk from the Xisi Metro Station in the heart of Beijing - a tiny pagoda from the XIII Century at the centre of a lovely walled garden with roses and pomegranates. Ancient and, for a long time, hidden. At the end of the Ming Dynasty, the pagoda was surrounded by the streets and buildings of the blossoming commercial centre that Beijing had become. The pagoda gets its name from the elderly wise man Wansong Xingxiu, a famous monk who lived from 1166 to 1246. We know as much thanks to the inscription on a tablet stating "Pagoda of the Old Man of Wansong”. Hidden but never forgotten, the pagoda was restored numerous times which is why it lasted so long. The last work was completed in 1986 in order to repair damage from an earthquake, bringing to light the original structure - seven levels of brick measuring 5 metres, emerging from structure of thin slabs of stone laid all about it, it is thought, in 1753. In 2013, to celebrate the renovation of the entire neighbourhood, the area was opened to the public. On the North and South sides of the courtyard, there are bookshops specialising in the history of Beijing, as well as an exhibition hall with objects and information related to the pagoda’s history.
The great musical and dance show "Confucius" tells about the journey of the great philosopher to the ancient Chinese states. In 497 BC Confucius left the state of Lu, beginning his 14-year journey to other states to promote his philosophical ideas.
A journey from William Morris to Charles Rennie Mackintosh to discover the wonderful decorations of fabrics and objects of the Arts and Crafts movement.
Tomás Saraceno: Art and Science come together to imagine New Future Scenarios
For Tomás Saraceno the kingdom of artists is not the museum or a gallery, but the world itself. The artist questions the possibilities of imagining a future collaboratively, where principles of collective care and hope prevail.
Lawrence Weiner was one of the protagonists in the development of conceptual art in the United States in the twentieth century. In this anthological exhibition - Weiner's first in China in 15 years - UCCA presents works from the 1970s to 2010 and a wide selection of archival materials.