Programme: Tue - Sat 11am - 6pm | Sun and Mn closed
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Location: Arario Gallery
Adresse: 2F-205, 30 Wen'an Road, Jing'an District
Five artists - aaajiao, Noh Sangho, Rao Weiyi, Tan Mu, and Wu Ziyang - confront the limits and opacities of generative technologies. The exhibition, inspired by Borges’ short story The Circular Ruins, explores the idea that even the creator might be an illusion. Glitches - seemingly accidental faults in digital systems - become spaces for critical revelation. Noh Sangho stages characters trapped in an endless loop of faith and data; aaajiao transforms the screen into a membrane between the digital and the corporeal. Tan Mu reflects on the invisible infrastructures of memory, while Wu Ziyang constructs a sci-fi archaeology of the present. Finally, Rao Weiyi paints intimate scenes that resist digital alienation. Rather than seeking mastery over AI, these artists embrace ambiguity, creating works where error and fragmentation open pathways to new possibilities.
AUUUUDITORIUM: where study is movement, circulation, redistribution
AUUUUDITORIUM is an innovative and constantly evolving project that challenges traditional methods of knowledge production, redefining "study" as a collective and diverse inquiry that includes dialogue, movement and shared experiences.
The Qizhong Forest Sports City Tennis Center will host the Shanghai ATP Masters 1000. The world’s top players will compete on hard courts in a key event on the road to the Nitto ATP Finals. Among the stars: Sinner, Alcaraz, Djokovic, Zverev, Medvedev, and Rublev.
Yanis Khannoussi and the Echo of Absence: Sculpture as Living Memory
For his first solo show in China, Yanis Khannoussi unveils a series of sculptures that turn absence into form, exploring themes of memory, time, and infinity. A journey through matter and metaphysics, where loss becomes visible through poetic geometry.