From D’Annunzio to Gio Ponti, the Creative DNA of the Renaissance
Lokasi: La Rinascente
Alamat: Piazza del Duomo
In 1883, Au Bonheur des Dames was released and, thanks to Emile Zola, the phantasmagoric novelty of Paris’ huge department stores became protagonists of a novel. At the same time, transformations were occurring at the Magazzini Bocconi of Milan, an Italian success story that would soon conquer Genoa, Rome, Trieste, Palermo and Turin. Surprised you never heard of it? Nothing strange at all - in 1917, the chain became known as La Rinascente, thanks to the fortunate invention of another literary great, Gabriele D’Annunzio. In Milan the following year, La Rinascente opened to the public in Piazza Duomo and not even a horrible fire would hinder its triumphant march forward. The collaboration with D’Annunzio was no isolated case - artists and other Made-in-Italy creative minds have always played a key role in the history of the company. Witness to this fact are the Liberty Style posters created by great artists such as Marcello Dudovich, or the Compasso d’Oro, the celebrated award for the top in Italian design. Few people know that it was launched by La Rinascente, picking up on an idea of Gio Ponti.
Created to enhance the museum’s collections, the exhibition displays a collection of “exotic” artefacts brought from different parts of the world by Milanese citizens, enthusiasts, businessmen, travellers, researchers.
The Restorations of the Gasparoli Family in the Lens of Marco Introini
The exhibition presents 30 shots by a leading architectural photographer that tell the story of some of Gasparoli’s interventions carried out in Milan on religious and public buildings, private homes and monuments.
Jago at the Biblioteca Ambrosiana: A Still Life Loaded with Weapons
The artist presents a marble sculpture in dialogue with Caravaggio’s famous Basket of Fruit: a basket filled with weapons that reflects on contemporary violence and the fragility of existence.