The Museum of Contemporary Art Tokyo presents Sol LeWitt: Open Structure, the first major public retrospective in Japan dedicated to the American pioneer of Minimalism and Conceptual Art. Curated by Ai Kusumoto in collaboration with the LeWitt Estate, the exhibition brings together wall drawings, modular sculptures, works on paper, and artist’s books, offering a comprehensive overview of the ideas and methods of an artist who redefined the very notion of creation. Born in Hartford, Connecticut in 1928, Sol LeWitt revolutionized the traditional concept of art by shifting attention from gesture to idea, from the finished object to the process. His celebrated wall drawings were executed by assistants following written instructions, while his geometric “structures” expressed a logical rigor that transformed form into visible thought. The artist became not the maker, but the conceiver. The title Open Structure reflects LeWitt’s conception of art as an open, modular system: each form reveals its own method of construction, each rule generates potentially infinite variations. The exhibition features key works such as Incomplete Open Cube (1974) and Structure (One, Two, Three, Four, Five as a Square) (1978-1980), alongside six new wall drawings created specifically for Tokyo, allowing visitors to witness the transformation of concept into image. Open Structure is more than a retrospective: it is a meditation on the nature of conceptual art and the relationship between idea, form, and execution. In the Japanese context, where the dialogue between rule and freedom is a recurring aesthetic theme, LeWitt’s work finds a particular resonance. The exhibition invites reflection on how art can exist independently of the artist, and how seriality and delegated execution can become tools of freedom rather than distance.
At the Sompo Museum of Art in Tokyo, an exhibition retraces the rise of Shinjuku as a hub of Japanese modern art. Works by artists such as Nakamura Tsune, Saeki Yuzo, Matsumoto Shunsuke, and Miyawaki Aiko span half a century of experimentation.
The Mitsubishi Ichigokan Museum in Tokyo presents an exhibition tracing the evolution of Japanese landscape woodblock prints from the late 19th century to the mid-20th century.
Vaundy, a rising star of Japanese music, will perform two concerts at Tokyo Dome on February 14 and 15, 2026. He will become the youngest male solo artist to embark on a dome tour across Japan, confirming his rise as a national pop icon.
At the Mitsubishi Ichigokan Museum in Tokyo, an exhibition explores twilight as a symbol of transition from Edo to modernity. From Kobayashi Kiyochika’s nocturnal views to the shin-hanga of Yoshida Hiroshi and Kawase Hasui, the show traces how light and shadow embody both memory and renewal.
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