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2-2-1 Yaesu, Chuo-ku Tokyo 104-0028 Japan. +81 3 6262 3333

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Kenneth Noland, Mysteries: Solar Blaze, 2000 | © Artists Rights Society (ARS), New York
#Art
Kenneth Noland, the foundations of color
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Sam Gilliam, Untitled, 2022 | © Sam Gilliam / Artists Rights Society (ARS), New York
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Sam Gilliam, master of color
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Luigi Ghirri, Rimini 1986, GAM - Gallery of Modern and Contemporary Art, Turin photo by Studio Gonella - Property of the Foundation for Modern and Contemporary Art CRT | Courtesy © Luigi Ghirri
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Luigi Ghirri, the magic of the image
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Odilon Redon, Le char d'Apollon, 1906-1907 | Courtesy © Mitsubishi Ichigokanmuseum, Tokyo
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Dreams and Shadows by Odilon Redon
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Aki Kondo: What I Saw, When I Tore Myself | Courtesy Open Art Tower Mito
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The Little Enchanted World of Aki Kondo
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Giorgione (Giorgio da Castelfranco), Portrait of a Man, 1506, Oil on panel, The San Diego Museum of Art
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Emulation and admiration, two collections compared
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Konoshima Okoku, Chinese Beauty, Taisho Period, Circa 1914 | Courtesy © Sen-Oku Hakukokan Museum Tokyo
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The Art of Portrait: Konoshima Okoku
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Camp | Courtesy OTA Fine Arts
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Irony will save the world
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Aubrey Beardsley (1872 - 1898), Illustration for Oscar Wilde’s Salome, The Climax, 1893, Line block print on paper | Stephen Calloway © Tate
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Aubrey Beardsley, Decadent Elegance
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Yasui Sotaro, Seated Lady, 1929 | Courtesy © Artizon Museum
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Yasui Sotaro, the Deformé World
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Takano Ryudai, 2019.12.31.P.#03 (Distance), 2029, From the series Red Room Project | © Takano Ryudai | Courtesy Yumiko Chiba Associates
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Scenes of ordinary photography
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Yumeji Takehisa, Makeup in Autumn, Cover of the Magazine The Ladies’ Graphic Vol.1 No.6, 1924, Collection of Yumeji Art Museum
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Taisho Romanticism
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Léonard Tsuguharu Foujita, Self Portrait, 1928 | Courtesy © Musée Maillol
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Léonard Foujita, a Japanese Dandy in Paris
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Kenjiro Okazaki, Untitled, 2024, 224 × 363.5 cm, Acrylic on canvas | Courtesy © Kenjiro Okazaki
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The Discovery of Kenjiro Okazaki
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Yhonnie Scarce, Hollowing Earth, 2017, Artizon Museum, Ishibashi Foundation, QUT Art Museum, Looking Glass: Judy Watson and Yhonnie Scarce | Photo: Cian Sanders Studios | Courtesy © Yhonnie Scarce and THIS IS NO FANTASY
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Women in Australian Aboriginal Art
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Hazama Inosuke, Under lamplight, 1941 | Courtesy © Artizon Museum
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Hazama Inosuke, Artist, Collector
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Yoshitomo Nara, Miss Spring, 2012, Yokohama Museum of Art | Courtesy © Yoshitomo Nara
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The Return of the Yokohama Museum of Art
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Jean Arp with the Navel-Monocle, Photographer unknown, About 1926, Stiftung Arp e. V., Berlin/Rolandswerth | © VG BILD-KUNST, Bonn & JASPAR, Tokyo, 2024 C4762
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The Arps, a Couple of Exceptional Artists
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SIDE CORE / EVERYDAY HOLIDAY SQUAD rode work ver, Tokyo 2018/2022, Roppongi Crossing 2022: Coming & Going, Mori Art Museum, Tokyo, 2022-2023 | Photo: Kioku Keizo
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Roppongi Crossing 2025
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Aki Sasamoto, Still from Point Reflection, 2023
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In Aki Sasamoto's Laboratory
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#New Opening
Bvlgari comes to the Azabudai Hills
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Sou Fujimoto, House of Music, Budapest, 2021 | Photo: Iwan Baan | Courtesy © Mori Art Museum, Tokyo
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Sou Fujimoto, Primitive Futurist
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Shoji Kamoda, Jar, 1979 | Courtesy © Kikuchi Collection, photo Tadayuki Minamoto
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Japanese Ceramics in the Late 1970s and 1980s
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Bvlgari hosts opening of Torlonia Collection at the Louvre
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Art in the time of the algorithm
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Click! Photography beyond the idea of souvenirs
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Djojo's perspective on the unknown
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Delhomme's Desert Cities
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