The Chapel of Sant’Aquilino Returns to its Former Glory
Schedule: Mon - Fri 8.30 am - 6.30 pm I Sat - Sun 9 am - 7 pm
Tickets: Free admission
E-mail:
Location: Basilica di San Lorenzo Maggiore
Address: Corso di Porta Ticinese 35
“One of the most beautiful churches in the world” - that is how the writers of the Middle Ages saw the Basilica di San Lorenzo Maggiore, extraordinary witness to the years in which Milan was the capital of the western Roman Empire. We’re accustomed to seeing it from outside, walking through its columns which have become emblematic of the city’s nightlife and, yet, San Lorenzo holds a surprising treasure - the Sant’Aquilino Chapel, having just undergone a complex series of renovations. Architecture, murals and precious mosaics, all compelling witnesses to paleo-Christian Roman Milan. The origins of the Chapel pre-date those of the Basilica, born as an imperial mausoleum, probably thanks to Queen Galla Placidia, it was then dedicated to San Genesio and, then, to the priest and Martyr Sant’Aquilino, whose remains are still held there in a silver and quartz urn. Originally octagonal in structure, broken up by niches, with frescoes in the apse and the stucchi of the dome, visiting the Chapel is like traveling back in time. However, nothing compares to the splendour of the mosaics which originally almost entirely covered the walls with depictions of Celestial Jerusalem, life-size depictions of the Patriarchs of Israel, the Apostles and the Martyrs, among golden pillars lined with gemstones.
A major retrospective exhibition, with over 300 original photographic works including vintage and period prints, documents and archive materials dedicated to the gentle genius of Italian photography - Mario Giacomelli - on the occasion of the centenary of his birth.
The Restorations of the Gasparoli Family in the Lens of Marco Introini
The exhibition presents 30 shots by a leading architectural photographer that tell the story of some of Gasparoli’s interventions carried out in Milan on religious and public buildings, private homes and monuments.
Jago at the Biblioteca Ambrosiana: A Still Life Loaded with Weapons
The artist presents a marble sculpture in dialogue with Caravaggio’s famous Basket of Fruit: a basket filled with weapons that reflects on contemporary violence and the fragility of existence.
Nature, memory, and rebirth: history according to Nico Vascellari
With an intense and deeply evocative vision, the artist reinterprets the history of the Hall of the Caryatids, a place steeped in memory, transforming it into a space for reflection on the relationship between nature, memory and rebirth.