In Europe, the myth of the Vittoria Alata circulated since the Renaissance. Nobody, however, had any idea of its whereabouts. It was quite a surprise when, on July 20, 1826, an imposing bronze statue was unearthed underneath the Capitolium of Brescia, exhibiting the legendary traits of the Goddess. Brought to light by a group of patriots against the will of Austrians oppressors, the icon of victory was immediately associated with the ardour of the coming Risorgimento. Napoleon III wished to admire it in person, the poet Carducci dedicated an ode to it, D’Annunzio fell in love with it, while casts and copies spread across every continent and scholars sought to understand the work’s enigmatic past. Almost 200 years after its discovery, the Vittoria Alata returns to the spotlight - a restoration has brought back its ancient splendour and the new, scenographic display by Spanish architect Juan Navarro Baldeweg sees it returned to the location where it was found, the Cidneo Hill. The event marks the rebirth of Brescia’s rich archeological heritage with its roots in Imperial Rome. The past meets the contemporary in the numerous events planned for the occasion - at the centre of it all is the Park of ancient Brixia which, spread over six hectares, represents the larges archeological site of Northern Italy.
The Timeless Elegance of Giorgio Armani Privé Enchants Milan
An exhibition celebrates Giorgio Armani Privé haute couture: iconic gowns, exquisite craftsmanship and the unmistakable elegance that makes each creation timeless.
A site-specific installation, conceived for the space of the agora, and which at the same time is a preview of the exhibition that Adrian Paci will hold at Mudec next Spring.
Atoui explores the acoustic properties and specific ways in which elements such as bronze, water, glass and stone transmit and reflect sound. Using electronic instruments and custom-built computers, the artist reflects on current social and political realities.
The Restorations of the Gasparoli Family in the Lens of Marco Introini
The exhibition presents 30 shots by a leading architectural photographer that tell the story of some of Gasparoli’s interventions carried out in Milan on religious and public buildings, private homes and monuments.