In Europe, the myth of the Vittoria Alata circulated since the Renaissance. Nobody, however, had any idea of its whereabouts. It was quite a surprise when, on July 20, 1826, an imposing bronze statue was unearthed underneath the Capitolium of Brescia, exhibiting the legendary traits of the Goddess. Brought to light by a group of patriots against the will of Austrians oppressors, the icon of victory was immediately associated with the ardour of the coming Risorgimento. Napoleon III wished to admire it in person, the poet Carducci dedicated an ode to it, D’Annunzio fell in love with it, while casts and copies spread across every continent and scholars sought to understand the work’s enigmatic past. Almost 200 years after its discovery, the Vittoria Alata returns to the spotlight - a restoration has brought back its ancient splendour and the new, scenographic display by Spanish architect Juan Navarro Baldeweg sees it returned to the location where it was found, the Cidneo Hill. The event marks the rebirth of Brescia’s rich archeological heritage with its roots in Imperial Rome. The past meets the contemporary in the numerous events planned for the occasion - at the centre of it all is the Park of ancient Brixia which, spread over six hectares, represents the larges archeological site of Northern Italy.
In her practice, Sang A Han explores oriental painting in its contemporary adaptation. Soft sculptures and layered paintings made with Meok (China ink), cotton fabric and stitching are the result of an intimate revisitation of tradition through a creation process that the artist herself defines performative.
The tradition of "sanguine" drawing from Leonardo onwards
A selection of forty sheets, which represent the different techniques of use of one of the most interesting and widespread graphic means adopted by artists for the most varied purposes, red stone, better known as sanguine. An original by Leonardo is on display.
The retrospective of Nari Ward presents, for the first time, a combination of works that interweaves his exploration of performativity and collaborative projects: over thirty years of practice, presenting early seminal and historical works as well as new productions.
An important selection of over 300 vintage images arrives in Milan from Venice, including 30 photos exhibited for the first time, documents, books, publications and films, which offer a summary capable of providing an open reading of the different experiences faced by photographer Ugo Mulas.
An Emperor’s Jewel - The Making of the Bvlgari Hotel Roma
A new movie starring Bvlgari Global Brand Ambassador Priyanka Choora Jonas and produced by Atomic Production and directed by Andrea Rovetta, gives viewers an unprecedented view of Bvlgari Hotel Roma, taking them behind the scenes to discover the craftsmanship and culture that inspired the property.