The Canaletto Collection at the Queen's Gallery in Buckingham Palace, Image from the film <em>Canaletto in Venice</em>, 2017, By David Bickerstaff and Phil Grabsky | Courtesy Nexo Digital
To the English travellers visiting Venice, the paintings of Antonio Canal must have seemed like splendid souvenirs. Thus, Canaletto-mania broke out across the Channel. In a few years, thanks to the art merchant and theatre impresario Owen Swiny, British aristocrats could embellish their estates with spectacular visions of the Serenissima. With the aid of an optical device, Canaletto offered his demanding public postcards of the Lagoon long before the invention of photography - from Piazza San Marco to the Canal Grande to the Palazzo Ducale, his brush turned out vivid and indelible depictions of the marvels of the Grand Tour. Then, the banker, collector and British Consul to Venice, Joseph Smith, took the artist under his wing. The canvases flowed copiously into the kingdom of George III who, in 1763, bought the entire collection of Smith. Approximately 50 paintings, 150 drawings and 15 rare engravings by Canaletto entered Britain’s Royal Collection where they can be found today. From the walls of the Queen’s Gallery, they invite visitors to Buckingham Palace to travel through the Venice of the 1700s, among gondolas bobbing upon the water, unmistakable architecture and masterfully depicted perspectives.
From theatre and opera to Olympic ceremonies, concerts and public installations, Es Devlin has helped shape the visual culture of recent decades. A major exhibition at London's Design Museum explores her work through models, sketches and newly commissioned projects.
The first major retrospective in over fifty years dedicated to Richard Dadd, one of the most enigmatic artists of the Victorian era, invites us to look beyond his biography to rediscover the visionary power of his painting.
Andrew Lloyd Webber and Tim Rice's iconic rock opera returns to London's West End in a new production. Sam Ryder stars as Jesus, while Boy George takes on the role of King Herod in one of the most influential musicals of the past fifty years. A classic that continues to bring together biblical storytelling, rock music and contemporary theatre.
Following his participation in the Venice Biennale, Louis Fratino presents a new body of paintings at David Zwirner London exploring intimacy and human relationships. Through domestic interiors and quietly observed figures, his work reveals the poetic power of closeness.