Alamat: Riverside Building, County Hall, Bishop's, London SE1 7PB
When the gigantic Great Wheel of London was built for the Empire of India Exhibition, later being used for the Imperial Austrian Exhibition as well, its 94 metres dwarfed any other building. When this behemoth was inaugurated at Earl’s Court on July 17, 1895, it was the largest ferris wheel on Earth, as well as London’s tallest structure. Besides its human passengers, the wheel was also a popular hangout for birds. In fact, in 1900, a cleaning person found a Goldcrest - the smallest bird in Great Britain - roosting inside one of the Wheel’s cars. The wheel was designed by Walter Basset, who was inspired by the 1893 ferris wheel of Chicago, which ran on steam and had forty cars to carry as many people and was considered an engineering marvel at the time. But by the end of the century, the curiosity regarding the wheel faded and it became a silent mostly-unused fixture. It was demolished in 1907 after having carried around 2.5 million passengers during its career. But its end came when, thanks to a malfunction, 74 people were left trapped for four-and-a-half hours. Its steel was sent to South Wales, where it was converted into containers for mustard and cookies.
The Great Contemporary Theatre of Gilbert & George
The Hayward Gallery hosts a major retrospective of Gilbert & George, featuring over sixty works from 2000 to the present. Bold photo collages, vivid colours, and provocative texts trace twenty-five years of radical art. A deep dive into urban society through the irreverent lens of the iconic British duo.
At the Royal Academy, The Histories presents the most comprehensive European survey of Kerry James Marshall’s work. Over seventy pieces place Black figures at the center of the artistic narrative, redefining Western painting’s traditional canons with bold, poetic force.
The Courtauld Gallery in London reveals an unexpected side of Barbara Hepworth: the sculptor who painted emptiness. Hepworth in Colour intertwines form and pigment in a vivid story where colour does not decorate but breathes within the material.