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The exhibition Walter De Maria: The Singular Experience offers a compact yet incisive reconsideration of an artist who redefined the relationship between measurement, form and perception. The presentation highlights the radical nature of his research, grounded in numerical sequences, rigorous geometries and an understanding of space as a physical encounter before it is a visual one. Sculptures and serial works converse with films and drawings that reveal a practice far less easily categorised than its usual association with Land Art suggests - De Maria emerges as an artist capable of merging mathematical precision, metaphysical tension and a subtle irony that destabilises any sense of certainty. At the core is the idea of a “singular experience”, conceived as a direct form of engagement in which viewers are invited to confront works that resist passive observation and instead demand an active presence. The exhibition conveys the complexity of an artist who treated form as discipline and perception as a field of freedom, allowing an energy to surface that still challenges the ways we look at, measure and inhabit space.
The Musée des Arts décoratifs marks the centenary of the 1925 Exposition with an extensive survey tracing the origins, evolution and legacy of Art Deco. One thousand works, from furniture and glass to fashion and design, illustrate a movement that fused craftsmanship and industry, modernity and luxury.
The Musée d’Orsay presents an exhibition on Renoir as a draftsman, featuring around one hundred works on paper from international collections. From his academic training to his later years, the show reveals the central role of drawing and red chalk in the creative process of the Impressionist Master.
From October 15, 2025, to February 1, 2026, the Philharmonie de Paris explores Kandinsky’s bond with music. Paintings, watercolors, and documents interact with scores and sound installations. An immersive journey reveals how music inspired the birth of abstraction.
At the Grand Palais in Paris, from March 24 to August 2, 2026, a major retrospective explores the final Matisse. More than two hundred works show how illness and immobility turned into creative energy. The cut-outs emerge as his silent revolution, redefining the relationship between color, form, and space.