The New National Theatre in Tokyo will stage the celebrated production of Cinderella, choreographed by Sir Frederick Ashton, from October 17 to 26, 2025. This is one of the most beloved titles in the repertoire of the National Ballet of Japan, renowned for its remarkable fusion of classical elegance and fairytale storytelling. Ashton’s choreography has already enjoyed international acclaim, particularly with London’s Royal Ballet, and will be revived in Tokyo under the supervision of Wendy Ellis Somes and Malin Thoors, guardians of his artistic legacy. Sergei Prokofiev’s original score, with its melodic richness and dramatic power, will be performed by the Tokyo Philharmonic Orchestra, while costumes and sets by David Walker recreate a dreamlike atmosphere, enhanced by lighting design from Sawada Yuji. The production captivates audiences with iconic moments such as the dances of the four seasonal fairies, the magical transformation of the pumpkin carriage, the sumptuous ball, and the comic antics of the stepsisters, who introduce a touch of humor contrasting with the magic of the tale. This combination of poetry, wit, and technical virtuosity makes the production suitable for audiences of all ages, enchanting both seasoned ballet lovers and newcomers alike. Another distinctive element of this staging is the National Ballet of Japan’s dedication to the classical repertoire. With productions such as Cinderella, the company confirms its ambition to present performances of international stature that engage with Europe’s great traditions. Reviving Ashton’s masterpiece demonstrates the theatre’s commitment to preserving the memory of one of the twentieth century’s great choreographers while renewing its vitality for contemporary audiences.