Adresse: Riverside Building, County Hall, Bishop's, London SE1 7PB
When the gigantic Great Wheel of London was built for the Empire of India Exhibition, later being used for the Imperial Austrian Exhibition as well, its 94 metres dwarfed any other building. When this behemoth was inaugurated at Earl’s Court on July 17, 1895, it was the largest ferris wheel on Earth, as well as London’s tallest structure. Besides its human passengers, the wheel was also a popular hangout for birds. In fact, in 1900, a cleaning person found a Goldcrest - the smallest bird in Great Britain - roosting inside one of the Wheel’s cars. The wheel was designed by Walter Basset, who was inspired by the 1893 ferris wheel of Chicago, which ran on steam and had forty cars to carry as many people and was considered an engineering marvel at the time. But by the end of the century, the curiosity regarding the wheel faded and it became a silent mostly-unused fixture. It was demolished in 1907 after having carried around 2.5 million passengers during its career. But its end came when, thanks to a malfunction, 74 people were left trapped for four-and-a-half hours. Its steel was sent to South Wales, where it was converted into containers for mustard and cookies.
Marie Antoinette: The Queen of Style Who Never Goes Out of Fashion
Featuring more than 250 works, from personal jewels and court dress to creations by Dior, Chanel and Vivienne Westwood, the show traces Marie Antoinette’s lasting impact on fashion, the decorative arts and visual culture.
At the British Museum, three ancient deities - Sekhmet, Dionysos, and Vishnu - meet in a unique exhibition exploring art, spirituality, and cross-cultural dialogue. Developed with Mumbai’s CSMVS museum, the project offers global perspectives on antiquity.
The exhibition retraces a decade of Cai Guo-Qiang’s practice, with works created using explosives and coloured powders. An exploration of painting as process, balancing abstraction, nature and vital energy.
For the first time in the United Kingdom, a major exhibition explores the work of Ketty La Rocca, a leading figure in Italian Visual Poetry and Body Art. Over fifty works trace a radical journey through gestures, words, X-rays, and manipulated images. A powerful investigation of language, identity, and the body.