The atmosphere is that of an old novel, yet the heart of a modern metropolis pulses all around us. Right near the highly-central Leicester Square, Goodwin’s Court is a secret place where time seems to have stood still. Buildings in the Georgian style, old-fashioned store fronts, bow windows from the 1700s and gaslights offer an unexpected view of London. And to think that in the ‘30s, this street connecting St Martin’s Lane and Bedfordbury escaped demolition by a hair - the old buildings mentioned by Charles Dickens in Bleak House seemed an offence to the progressively modern urban landscape. Where, in the 1800s, children once ran barefoot as their parents munched green peas on their doorsteps, at the start of the new millenium, Chris Columbus found inspiration for the set of Harry Potter - it seems that Goodwin’s Court was the model for Knockturn Alley, the twin street of Diagon Alley which, in the novels of Joanne Rowling, hosts shops dedicated to witchcraft. Today, Goodwin’s is, above all, a street hosting offices and other activities connected with the world of the theatre. But when night falls, especially when it’s foggy out, don’t be surprised if you hear the padded gait of Sherlock Holmes.
Marie Antoinette: The Queen of Style Who Never Goes Out of Fashion
Featuring more than 250 works, from personal jewels and court dress to creations by Dior, Chanel and Vivienne Westwood, the show traces Marie Antoinette’s lasting impact on fashion, the decorative arts and visual culture.
The Courtauld Gallery in London reveals an unexpected side of Barbara Hepworth: the sculptor who painted emptiness. Hepworth in Colour intertwines form and pigment in a vivid story where colour does not decorate but breathes within the material.
At the National Gallery in London, a remarkable exhibition brings back into focus one of the most enigmatic figures of eighteenth-century British painting, George Stubbs, exploring his quiet revolution in the depiction of the horse, an animal that, for the artist, became far more than a symbol of status or aristocratic refinement.