Turandot

One of Puccini's most beloved works returns to the Royal Opera House in London. Turandot, conducted by Andrei Șerban, brings to the stage a classic that never ceases to fascinate with its dramatic power and visionary vision. Set in a mythical, timeless Beijing, the opera tells the story of a princess who challenges her suitors to the death with three impossible riddles. Those who cannot answer are executed, until an unknown prince, Calaf, decides to face the test, driven by a love as bold as it is irrational. Șerban's direction, with sets by Sally Jacobs, blends Eastern influences with Western theatrical rhythm in a visually striking construction. The stage is transformed into a symbolic labyrinth where Turandot's coldness contrasts with Liù's compassion and Calaf's passion. The costumes, rich in color contrasts, amplify the sense of a cruel fairy tale that pervades the entire story. Musically, the production relies on the lyrical power of first-rate performers. Anna Netrebko, Maida Hundeling, and Anna Pirozzi alternate in the lead roles as Turandot, while Calaf is sung by Yusif Eyvazov, Arsen Soghomonyan, and Roberto Alagna. The repertoire of unforgettable arias, from Signore, ascolta to the celebrated Nessun dorma, confirms Puccini's ability to blend emotional intensity and orchestral tension. The performed version includes the finale completed by Franco Alfano after the composer's death. Running approximately two hours and fifty minutes, Turandot remains a total experience, combining tragedy, spectacle, and visual poetry. Șerban's staging, now a benchmark in the recent history of opera, conveys the full grandeur of a masterpiece that continues to interrogate audiences on the mystery of desire and the price of love.