The Pinacoteca di Brera starts again with a New Museum Experience
開具日期: 2020-6-9
結帳日期: 2030-12-31
排程: Tue / Wed 9.30 am - 1.30 pm | Last admission h 11.50 am | Thu / Fri / Sat / Sun 2 pm - 6.30 pm | Last admission 5 pm
票務: Free admission until Autumn
電子郵件:
位置: Pinacoteca di Brera
地址: Via Brera 28
A new beginning. The Pinacoteca di Brera reopens its doors to the public, offering free admission to its halls until next autumn. The public is permitted to visit the Collection by making reservations online which will allow visitors to enjoy the Collection’s masterpieces in small groups, interacting with these works through an intimate dialogue set to last an hour-and-a-half. Thanks to online reservations, the visits are personalised. Each guest is asked to make reservations on the platform brerabooking.org, indicating their age and any children that may be accompanying them during their visit. On the basis of the information entered, they are assigned a link which details the support tools for each visit, such as the Brera Box, a sort of gift box with various offerings to suit the various types of visitors. Acting as curator of their own museum itinerary, visitors are guided in creating the instruments useful to their discovering the Collection. The itineraries are particularly new in the sense that they now exclude museum halls of smaller dimensions, in which safe distances between visitors cannot be maintained with any surety. The Pinacoteca has also rethought its programming for 2020 with a serious online dimension, while maintaining its rich calendar of events, starting with the year-long celebrations of Raphael in honour of the anniversary of his death, which will resume in September with a focus on the exhibitions of The Marriage of the Virgin from 1806 to 1977.
In her practice, Sang A Han explores oriental painting in its contemporary adaptation. Soft sculptures and layered paintings made with Meok (China ink), cotton fabric and stitching are the result of an intimate revisitation of tradition through a creation process that the artist herself defines performative.
Adrian Piper. Adrian Piper and racism in contemporary visual culture traitor
The first European retrospective in over twenty years dedicated to Adrian Piper, conceptual artist, minimalist and performer in the New York art scene of the late Sixties.
Over 200 shots, including over 60 medium and small formats, chosen and selected by the author and presented together with an unpublished interview, retrace the career of one of the most famous contemporary photographers.
Picasso did not consider the art that inspired him, which moved his creative mind in an unstoppable desire to open new paths, as "primitive", he did not see a "before" and an "after" in art, there was no "other", "different" art: Picasso conceived it as a timeless Whole.