The Pinacoteca di Brera starts again with a New Museum Experience
Date ouverture: 9 juin 2020
Date fermeture: 31 déc. 2030
Programme: Tue / Wed 9.30 am - 1.30 pm | Last admission h 11.50 am | Thu / Fri / Sat / Sun 2 pm - 6.30 pm | Last admission 5 pm
Tickets: Free admission until Autumn
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Location: Pinacoteca di Brera
Adresse: Via Brera 28
A new beginning. The Pinacoteca di Brera reopens its doors to the public, offering free admission to its halls until next autumn. The public is permitted to visit the Collection by making reservations online which will allow visitors to enjoy the Collection’s masterpieces in small groups, interacting with these works through an intimate dialogue set to last an hour-and-a-half. Thanks to online reservations, the visits are personalised. Each guest is asked to make reservations on the platform brerabooking.org, indicating their age and any children that may be accompanying them during their visit. On the basis of the information entered, they are assigned a link which details the support tools for each visit, such as the Brera Box, a sort of gift box with various offerings to suit the various types of visitors. Acting as curator of their own museum itinerary, visitors are guided in creating the instruments useful to their discovering the Collection. The itineraries are particularly new in the sense that they now exclude museum halls of smaller dimensions, in which safe distances between visitors cannot be maintained with any surety. The Pinacoteca has also rethought its programming for 2020 with a serious online dimension, while maintaining its rich calendar of events, starting with the year-long celebrations of Raphael in honour of the anniversary of his death, which will resume in September with a focus on the exhibitions of The Marriage of the Virgin from 1806 to 1977.
The exhibition tells how the Etruscan civilization influenced, on several occasions, the visual culture of the short century: starting from the archaeological finds and the Etruscan tours, up to the Chimera by Mario Schifano, executed during a performance in Florence in 1985.
The Restorations of the Gasparoli Family in the Lens of Marco Introini
The exhibition presents 30 shots by a leading architectural photographer that tell the story of some of Gasparoli’s interventions carried out in Milan on religious and public buildings, private homes and monuments.
Atoui explores the acoustic properties and specific ways in which elements such as bronze, water, glass and stone transmit and reflect sound. Using electronic instruments and custom-built computers, the artist reflects on current social and political realities.
A mestizo spirit hovers in the art of Cuban Luis Gómez Armenteros
An exhibition that is the result of work matured by the artist during his residency in Milan. The themes he addresses concern the role of the artist, society and the inevitable questions surrounding art and forms of consumption.
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