The Pinacoteca di Brera starts again with a New Museum Experience
開具日期: 2020-6-9
結帳日期: 2030-12-31
排程: Tue / Wed 9.30 am - 1.30 pm | Last admission h 11.50 am | Thu / Fri / Sat / Sun 2 pm - 6.30 pm | Last admission 5 pm
票務: Free admission until Autumn
電子郵件:
位置: Pinacoteca di Brera
地址: Via Brera 28
A new beginning. The Pinacoteca di Brera reopens its doors to the public, offering free admission to its halls until next autumn. The public is permitted to visit the Collection by making reservations online which will allow visitors to enjoy the Collection’s masterpieces in small groups, interacting with these works through an intimate dialogue set to last an hour-and-a-half. Thanks to online reservations, the visits are personalised. Each guest is asked to make reservations on the platform brerabooking.org, indicating their age and any children that may be accompanying them during their visit. On the basis of the information entered, they are assigned a link which details the support tools for each visit, such as the Brera Box, a sort of gift box with various offerings to suit the various types of visitors. Acting as curator of their own museum itinerary, visitors are guided in creating the instruments useful to their discovering the Collection. The itineraries are particularly new in the sense that they now exclude museum halls of smaller dimensions, in which safe distances between visitors cannot be maintained with any surety. The Pinacoteca has also rethought its programming for 2020 with a serious online dimension, while maintaining its rich calendar of events, starting with the year-long celebrations of Raphael in honour of the anniversary of his death, which will resume in September with a focus on the exhibitions of The Marriage of the Virgin from 1806 to 1977.
On display are ten large-scale paintings from the NADA series, created between 1999 and 2025. The first works in this series were born from the artist’s explicit desire to erase the image of the crucifixion in an attempt to experiment, to use Thierry De Cordier’s words, with the “greatness of nothingness”.
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